It fits squarely within Ghibli's "neo-realist" style, akin to Grave of the Fireflies and Omohide Poro Poro. It is a romance melodrama involving several young adults who join together for their high school reunion, which sparks memories of old friendships, rivalries and romances. Umi ga Kikoeru/Ocean Waves was a project for Ghibli's younger animators, and the first time Hayao Miyazaki or Isao Takahata was not directly involved in a studio production. Cities and dates will continue to be added in the coming weeks, so stay tuned to find out if Ocean Waves is coming to a city near you. An expanded theatrical release will then commence in January and continue through March. GKIDS, who hold the theatrical distribution rights to the Ghibli film catalog (in addition to several home video releases), will release the film under its "Western" title, Ocean Waves, on December 28 at the IFC Center in New York City. These movies are a fantastic example for young girls to see that they too can make a difference in the world, as much as any other person could.It has taken many years of begging and pleading, and now it has finally paid off: Studio Ghibli's 1993 TV movie Umi Ga Kikoeru ( I Can Hear the Sea) is coming to North American theaters! With this release, all of the Studio Ghibli feature films will have been released on our shores. From Chihiro (Spirited Away) to Kiki (Kiki’s Delivery Service) to San (Princess Mononoke), Miyazaki hasn’t shied away from showing us that girls and women are badasses who can change the world. On a lighter note, Miyazaki has also managed to make his films reach a wider audience through his use of female heroines. While still a movie for children, the adult themes behind it are both heartbreaking and thought-provoking, widening the target audience for the film. For example, Grave of the Fireflies is a movie about the human cost of war in which two children are separated from each other after an American bombing takes place during World War Two. Miyazaki does not shy away from inserting adult themes into his movies, despite them being primarily made for children, and this causes an element of relatability for adults. Yet another reason that his films are so successful is because both children and adults from all cultures can resonate with them. However, it isn’t just the creation of the world and characters that brings an element of realism to the films. The best way to connect an audience to a fantastical work of art is by adding just the right amount of realism to it, and Miyazaki captures this balance perfectly. In addition, a trip to Wales during the miners’ strike in Britain in the 1980s was the inspiration for the mining town in Castle in the Sky. For example, according to the South China Morning Post, Miyazaki and his team actually took field trips to the forests in Japan to do research for films such as My Neighbor Totoro. We remember all his movies as being magical, but if you actually look into it, he includes a good amount of realism as well. Providing the audience with a mystical place is great, but what makes it truly phenomenal is the way that Miyazaki combines magic with realism. It's not something you would naturally consciously notice, but if you go back and look for this the next time you sit down to watch a Ghibli movie, you'll see what I mean.īut creating a fantastical world isn’t all that Miyazaki has done to make his films so captivating. Hayao Miyazaki is a master world builder, and that never fails to show in any of his films. Due to this, no scene throughout the movies feels unnecessary or lackluster. If you pay attention to every scene (including the transitional scenes in between the action), every landscape, building, animal, or person has been crafted with detail. You will often hear people say “it’s the little things that count” in a whole host of contexts, and that is no less true when it comes to films. Part of what sets Ghibli films apart from other children’s movies is the attention given to detail.
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